Video Editor Intern
这是一个远程位置。我们正在聘请一个视频剪辑师。有品味。不是按推器.Tars 是 AI 代理平台的客户体验。我们8岁了.Netflix,American Express,Vodafone 和卡塔尔基金会都是客户。我们在2026年6月30日发布3.0产品中重新写整个产品。我们已经有两个编辑。我们将发送更多视频比他们能跟上。我们想要第三个编辑能够吸收溢出，最终携带自己的板块，最重要的是 - 给工作带来编辑观点，而不仅仅是时间线机制。我们明确没有雇佣任何人来关注拍摄列表。如果你想要的，那么这不是角色。你实际上要做的是：· 剪短子 (LinkedIn,YouTube Shorts,Instagram) - 60-90秒，音频首播，3秒钟内连接。每周多次。· 协助我们的高级编辑长篇 （8-15分钟摄像头+屏幕片段，客户故事纪录片，Tars 3.0推出英雄作品）. · 自主标题，声音设计，B-roll 选择，颜色和步伐。我们不会微管理这些决定 - 我们希望你做并捍卫它们。· 与创始人和现有内容团队一起工作。· 看数字。保留曲线，连接，评论质量。根据此调整下一步的裁决。你将无法从我们那里获得什么：· 截图列表。一个过渡包。一个"这里是品牌模板，只需插入录像". · 翻转最后期限忽视质量。我们宁愿你花一天时间运送一些有观点的东西，而不是急于把什么忘记的事情寄出。· 团队躲藏在后面。剪辑上面写着你的名字。你已经编辑了：· 你已经在任何地方 - YouTube,Instagram,自由职业者，问大学工作，朋友的播客。这种模式比平台更重要。· 你有一个公共投资组合。不是一个 Behance Pro 帐户 - 只是在某个地方我们可以看你的作品没有 IG. · 你至少掌握了一个 NLE - Premiere,DaVinci Resolve,Final Cut 或 CapCut Pro.我们不关心哪个。我们很关心你实际上知道它好，而不是三种在表面水平。· 你有意见。关于节奏。关于什么时候切割。关于何时不切割。有关什么让标题可读和烦人的。音乐是什么时候帮助的和噪音。你可以在摄像头前捍卫这些观点。· 你对人工智能，软件以及企业如何使用技术感到好奇。
查看英文原文
This is a remote position.
We're hiring a video editor. With taste. Not a button-pusher.
Tars is an AI agent platform for customer experience. We're 8 years old. Netflix, American Express, Vodafone, and Qatar Foundation are customers. We're rewriting the whole product for our 3.0 launch on June 30, 2026.We have two editors on the team already. We're shipping more video than they can keep up with. We want a third editor who can absorb the overflow, eventually carry their own slate, and - most importantly - bring an editorial point of view to the work, not just timeline mechanics.We are explicitly not hiring someone to follow a shot list. If that's what you want, this isn't the role.What you'll actually do:
· Cut shorts (LinkedIn, YouTube Shorts, Instagram) - 60-90 seconds, sound-off-first, hook in 3 seconds. Multiple per week.
- Assist our senior editors on long-form (8-15 min cam+screen pieces, customer story documentaries, the Tars 3.0 launch hero piece).
- Own captions, sound design, B-roll selection, color, and pacing on your own cuts. We're not going to micromanage these decisions - we expect you to make them and defend them.
- Work directly with the founders and the existing content team.
- Watch the numbers. Retention curves, hook drop-off, comment quality. Adjust your next cut accordingly.
What you won't get from us:
· A shot list. A transitions pack. A "here's the brand template, just plug the footage in."
- A turnaround deadline that ignores quality. We'd rather you take an extra day and ship something with a point of view than rush something forgettable.
- A team to hide behind. The cut has your name on it.
Requirements
Who you are:
· You already edit. Anywhere - YouTube, Instagram, freelance, college work, a friend's podcast. The pattern matters more than the platform.
- You have a public portfolio. Not a Behance Pro account - just somewhere we can watch your work without asking. YouTube channel, IG reel grid, a Google Drive folder, a personal site - all fine.
- You're fluent in at least one NLE - Premiere, DaVinci Resolve, Final Cut, or CapCut Pro. We don't care which. We do care that you actually know it well, not three of them at surface level.
- You have opinions. About pacing. About when to cut. About when not to cut. About what makes captions readable vs. annoying. About when music helps and when it's noise. You can defend those opinions on camera.
- You're curious about AI, software, and how businesses use technology. You don't need to know the category - but you need to want to learn it.
- You're in India, available for 6 months, comfortable working mostly async with a few syncs a week.
How to apply: Don't send a cover letter. Don't send a resume PDF. When you apply, we'll send you a short assignment. Five days. One short, three packs to choose from, your edit, your bets. Open brief. We only talk to people who complete the assignment.
Benefits
- Monthly stipend based on experience and portfolio
- 6-month internship, with the possibility of converting full-time. The first week is a paid trial before the formal internship begins.
- Full remote, India-based
- You keep ownership of your personal channels and any work you've made elsewhere
Originally posted on Himalayas